Informacje o publikacji
Wydanie: | 1 |
Miejsce i rok wydania: | Warszawa 2021 |
Język publikacji: | angielski |
ISBN/ISSN: | 978-83-235-5284-0 |
EAN: | 9788323552840 |
Liczba stron: | 214 |
Wielkość pliku: | 7,45 MB |
Typ publikacji: | Praca naukowa |
DOI: | https://doi.org/10.31338/uw.9788323552840 |
Od królowej Anny do królowej Wiktorii. Wykłady o literaturze i kulturze brytyjskiej z XVIII i XIX wieku. Tom 7
Siódmy tom serii "From Queen Anne to Queen Victoria" zawiera zarówno nowe odczytania podejmowanych wcześniej zagadnień, jak i analizy kolejnych istotnych tematów badawczych. Autorzy koncentrują się na literaturze, kulturze, historii społecznej i politycznej Wielkiej Brytanii w okresie, w którym kształtowały się zręby przemysłowej nowoczesności. Badają wpływ imperium brytyjskiego na światowe dziedzictwo kulturowe, w tym na zależności klasowe oraz związane z płcią i z rasą, których oddziaływanie jest w różnym stopniu odczuwalne do dzisiaj.
******
The present, seventh, volume of the series "From Queen Anne to Queen Victoria" offers profitable re-visitations of old themes, as well as explorations of new themes and problems. The volume focuses on the literature, culture, and political and social history of Britain in a period when the structures of industrial modernity were being created, and examines Britain’s imprint on the global cultural heritage, including class, gender and race-based hierarchies that persist in varying degrees into the present.
Keywords: Queen Anne, Queen Victoria, British literature, British culture, 18th century, 19th century, Victorian society.
Siódmy tom serii "From Queen Anne to Queen Victoria" zawiera zarówno nowe odczytania podejmowanych wcześniej zagadnień, jak i analizy kolejnych istotnych tematów badawczych. Autorzy koncentrują się na literaturze, kulturze, historii społecznej i politycznej Wielkiej Brytanii w okresie, w którym kształtowały się zręby przemysłowej nowoczesności. Badają wpływ imperium brytyjskiego na światowe dziedzictwo kulturowe, w tym na zależności klasowe oraz związane z płcią i z rasą, których oddziaływanie jest w różnym stopniu odczuwalne do dzisiaj.
******
The present, seventh, volume of the series "From Queen Anne to Queen Victoria" offers profitable re-visitations of old themes, as well as explorations of new themes and problems. The volume focuses on the literature, culture, and political and social history of Britain in a period when the structures of industrial modernity were being created, and examines Britain’s imprint on the global cultural heritage, including class, gender and race-based hierarchies that persist in varying degrees into the present.
Keywords: Queen Anne, Queen Victoria, British literature, British culture, 18th century, 19th century, Victorian society.
Paul Goring, https://orcid.org/
“I saw the Man, that saw the Man, that said he saw this wondrous Sight”: Mediating the Spectacle of George III’s Coronation in the Newspapers
https://doi.org/10.31338/uw.9788323552840.pp.53-64
Grażyna Danuta Bystydzieńska, https://orcid.org/0000-0001-9653-0618
“In religion all roads have their obstacles”. Loss and Gain by John Henry Newman as a Conversion Narrative
https://doi.org/10.31338/uw.9788323552840.pp.41-52
Sophia C. Jochem, https://orcid.org/0000-0003-3424-8824
“We must marry ’em”: Marriages and Endings in Charles Dickens’s Dombey and Son
https://doi.org/10.31338/uw.9788323552840.pp.79-88
Dominic Rainsford, https://orcid.org/0000-0002-2426-1956
1827: Real, Fictional, and Mythic Time in The Pickwick Papers
https://doi.org/10.31338/uw.9788323552840.pp.165-178
Catherine Maxwell, https://orcid.org/
Cultivating the Imagination: Plants and Flowers in Later Victorian Poetry
https://doi.org/10.31338/uw.9788323552840.pp.113-138
Michael Hollington, https://orcid.org/
Dickens the Vagabond and the Tradition of Nightwalking
https://doi.org/10.31338/uw.9788323552840.pp.65-78
Magdalena Pypeć, https://orcid.org/0000-0003-4361-0178
Dickens Writes Trauma: Post-Traumatic Stress Disorder in The Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323552840.pp.149-164
Przemysław Uściński, https://orcid.org/
Figures of Hypocrisy: Pity and Poverty in Charles Dickens’s Hard Times
https://doi.org/10.31338/uw.9788323552840.pp.201-214
Dorota Babilas, https://orcid.org/
From Britain’s Most Unloved Queen to the Favourite? Film Representations of Queen Anne
https://doi.org/10.31338/uw.9788323552840.pp.11-20
Katarzyna Strzyżowska, https://orcid.org/
Political Plotters or Puppets? The Role of Women at the Court of Queen Anne
https://doi.org/10.31338/uw.9788323552840.pp.179-188
Marta Komsta, https://orcid.org/0000-0001-7807-2619
Progress and/as Utopia in James Hume Nisbet’s The Great Secret: A Tale of To-morrow
https://doi.org/10.31338/uw.9788323552840.pp.103-112
Monika Mazurek, https://orcid.org/
Reviving the Anglican Confession in the Victorian Novel
https://doi.org/10.31338/uw.9788323552840.pp.139-148
Rebecca Boylan, https://orcid.org/
Saving Face: Respecting Nature’s Inversions in Thomas Hardy’s A Pair of Blue Eyes
https://doi.org/10.31338/uw.9788323552840.pp.31-40
Joanna Kokot, https://orcid.org/0000-00024648-3402
The “(Un)fair Play” Method in Arthur Conan Doyle’s Sherlock Holmes Tales
https://doi.org/10.31338/uw.9788323552840.pp.89-102
Ana Clara Birrento, https://orcid.org/0000-0003-0957-7589
The Possible Worlds of Oliphant and Eliot in Miss Marjoribanks and Middlemarch
https://doi.org/10.31338/uw.9788323552840.pp.21-30
Terentowicz-Fotyga Urszula, https://orcid.org/
The Semiotics of the Gothic Country House in Jane Austen’s Northanger Abbey .
https://doi.org/10.31338/uw.9788323552840.pp.189-200
“I saw the Man, that saw the Man, that said he saw this wondrous Sight”: Mediating the Spectacle of George III’s Coronation in the Newspapers
https://doi.org/10.31338/uw.9788323552840.pp.53-64
Grażyna Danuta Bystydzieńska, https://orcid.org/0000-0001-9653-0618
“In religion all roads have their obstacles”. Loss and Gain by John Henry Newman as a Conversion Narrative
https://doi.org/10.31338/uw.9788323552840.pp.41-52
Sophia C. Jochem, https://orcid.org/0000-0003-3424-8824
“We must marry ’em”: Marriages and Endings in Charles Dickens’s Dombey and Son
https://doi.org/10.31338/uw.9788323552840.pp.79-88
Dominic Rainsford, https://orcid.org/0000-0002-2426-1956
1827: Real, Fictional, and Mythic Time in The Pickwick Papers
https://doi.org/10.31338/uw.9788323552840.pp.165-178
Catherine Maxwell, https://orcid.org/
Cultivating the Imagination: Plants and Flowers in Later Victorian Poetry
https://doi.org/10.31338/uw.9788323552840.pp.113-138
Michael Hollington, https://orcid.org/
Dickens the Vagabond and the Tradition of Nightwalking
https://doi.org/10.31338/uw.9788323552840.pp.65-78
Magdalena Pypeć, https://orcid.org/0000-0003-4361-0178
Dickens Writes Trauma: Post-Traumatic Stress Disorder in The Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323552840.pp.149-164
Przemysław Uściński, https://orcid.org/
Figures of Hypocrisy: Pity and Poverty in Charles Dickens’s Hard Times
https://doi.org/10.31338/uw.9788323552840.pp.201-214
Dorota Babilas, https://orcid.org/
From Britain’s Most Unloved Queen to the Favourite? Film Representations of Queen Anne
https://doi.org/10.31338/uw.9788323552840.pp.11-20
Katarzyna Strzyżowska, https://orcid.org/
Political Plotters or Puppets? The Role of Women at the Court of Queen Anne
https://doi.org/10.31338/uw.9788323552840.pp.179-188
Marta Komsta, https://orcid.org/0000-0001-7807-2619
Progress and/as Utopia in James Hume Nisbet’s The Great Secret: A Tale of To-morrow
https://doi.org/10.31338/uw.9788323552840.pp.103-112
Monika Mazurek, https://orcid.org/
Reviving the Anglican Confession in the Victorian Novel
https://doi.org/10.31338/uw.9788323552840.pp.139-148
Rebecca Boylan, https://orcid.org/
Saving Face: Respecting Nature’s Inversions in Thomas Hardy’s A Pair of Blue Eyes
https://doi.org/10.31338/uw.9788323552840.pp.31-40
Joanna Kokot, https://orcid.org/0000-00024648-3402
The “(Un)fair Play” Method in Arthur Conan Doyle’s Sherlock Holmes Tales
https://doi.org/10.31338/uw.9788323552840.pp.89-102
Ana Clara Birrento, https://orcid.org/0000-0003-0957-7589
The Possible Worlds of Oliphant and Eliot in Miss Marjoribanks and Middlemarch
https://doi.org/10.31338/uw.9788323552840.pp.21-30
Terentowicz-Fotyga Urszula, https://orcid.org/
The Semiotics of the Gothic Country House in Jane Austen’s Northanger Abbey .
https://doi.org/10.31338/uw.9788323552840.pp.189-200
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